Betwixt and Between (1937) – This short collection of semi-autobiographical, semi-fictional, philosophical pieces might be dismissed as juvenilia and largely ignored if it were not for the fact that it represents Camus’ first attempt to formulate a coherent life-outlook and world-view. The collection, which in a way serves as a germ or starting point for the author’s later philosophy, consists of five lyrical essays. In “L’Ironie” (“Irony”), a reflection on youth and age, Camus asserts, in the manner of a young disciple of Pascal, our essential solitariness in life and death. In “Entre Oui et Non” (“Between yes and no”) he suggests that to hope is as empty and as pointless as to despair. Yet he goes beyond nihilism by positing a fundamental value to existence-in-the-world. In “La Mort dans l’ame” (Death in the soul”) he supplies a sort of existential travel review, contrasting his impressions of central and eastern Europe (which he views as purgatorial and morgue-like) with the more spontaneous life of Italy and Mediterranean culture. The piece thus affirms the author’s lifelong preference for the color and vitality of the Mediterranean world, and especially North Africa, as opposed to what he perceives as the soulless cold-heartedness of modern Europe. In “Amour de vivre” (“Love of life”) he claims there can be no love of life without despair of life and thus largely re-asserts the essentially tragic, ancient Greek view that the very beauty of human existence is largely contingent upon its brevity and fragility. The concluding essay, “L’Envers et l’endroit” (“Betwixt and between”), summarizes and re-emphasizes the basically Romantic themes of the collection as a whole: our fundamental “aloneness,” the importance of imagination and openness to experience, the imperative to “live as if . . . .”
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